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Utagawa Kunisada II, 二代歌川国貞 (Utagawa Kunisada II (Toyokuni IV))创作的日本版画《No. 23 from the series The Life of the Buddha in Up-to-date Magic Lantern Slides (Shaka hassô ki imayô utsushi-e)》

Kunisada II MFA

Utagawa Kunisada II, 二代歌川国貞 (Utagawa Kunisada II (Toyokuni IV))创作的日本版画《No. 14 from the series The Life of the Buddha in Up-to-date Magic Lantern Slides (Shaka hassô ki imayô utsushi-e)》

Kunisada II MFA

Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)创作的日本版画《Takiguchi Utoneri Watanabe no Tsuna Uses His Sword Higekirimaru to Cut Off the Arm of the Ibaraki Demon near Modoribashi Bridge at Ichijô》

Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)创作的日本版画《Listening to Crickets at Dôkan Hill (Dôkan-yama mushi-kiki no zu), from the series Famous Places in the Eastern Capital (Tôto meisho)》

Kitagawa Utamaro, 喜多川歌麿 (Kitagawa Utamaro I)创作的日本版画《Cherry Blossoms: Segawa of the Matsubaya in Edo-machi Itchôme, kamuro Takeno and Sasano, from an untitled series of courtesans compared to flowers》

Kitagawa Utamaro, 喜多川歌麿 (Kitagawa Utamaro I)创作的日本版画《Picture of the Upper Class (Jôbon no zu), from the series Three Ranks of Young Women According to their Fashions (Fûzoku sandan musume)》

Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)创作的日本版画《Inn at Fujisawa (Fujisawa ryosha), cut from sheet 2 of the series Cutout Pictures of the Road to Ôyama (Ôyama dôchû harimaze zue)》

Kitagawa Utamaro, 喜多川歌麿 (Kitagawa Utamaro)创作的日本版画《Renowned Beauties Likened to the Six Immortal Poets: Appearing Again, the Waitress Okita of the Teahouse Naniwa (Komei bijin rokkasen: Saishutsu Naniwaya Okita)》

Utamaro Scholten

Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige)创作的日本版画《Entrance to the Cave at Enoshima in Sagami Province, no. 15 from the series Pictures of Famous Places in the Sixty-odd Provinces》

Hiroshige Chazen

Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige)创作的日本版画《The Junction with the Road to Kamakura at Central Totsuka, no. 6 from the series Fifty-three Stations of the Tokaido (Hoeido Tokaido)》

Hiroshige Chazen

Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige)创作的日本版画《Entrance to the Cave at Enoshima in Sagami Province, no. 15 from the series Pictures of Famous Places in the Sixty-odd Provinces》

Hiroshige Chazen

Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)创作的日本版画《The Shrine to Kannon at the Kiyo Waterfall at Sakanoshita on the Tokaido, from the series A Tour of Waterfalls in the Provinces》

Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)创作的日本版画《Travellers Overlooking the Sea at Arai: 1 Ri and 26 Cho to Shirasuka, no. 35 from a series of Stations of the Tokaido》

Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)创作的日本版画《Combs, a Famous Product of Tsuchiyama: 2 Ri and 32 Cho to inakuchi, no. 55 from a series of Stations of the Tokaido》

Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)创作的日本版画《Warriors Illustrated: China and Japan (Wakan ehon sakigake), Late Edo period, dated to the 1st month of the 7th year of Tempô (1836)》

Hokusai Harvard

Kitagawa Utamaro, 喜多川歌麿 (Kitagawa Utamaro I)创作的日本版画《Picture of the Lower Class (Gebon no zu), from the series Three Ranks of Young Women According to Their Fashion (Fûzoku sandan musume)》

Kitagawa Utamaro, 喜多川歌麿 (Kitagawa Utamaro I)创作的日本版画《Picture of the Middle Class (Chûbon no zu), from the series Three Ranks of Young Women According to Their Fashion (Fûzoku sandan musume)》

Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)创作的日本版画《View to the North from Asuka Hill (Asukayama kita no chôbô), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)》

Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)创作的日本版画《Ichiman-maru (Jûrô) and Hakoô-maru (Gorô) About to Be Executed, from the series Illustrated Tale of the Soga Brothers (Soga monogatari zue)》

Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)创作的日本版画《Asking "Does It Suit Me?" (Niau ka to kiku), from the series An Asortment of Chrysanthemums in the Modern Style (Imayô kiku soroi)》

Utagawa Kuniyasu, 歌川国安 (Utagawa Kuniyasu)创作的日本版画《Eight Views of Japan, Kiyomigaseki (Yamato hakkei, Kiyomigaseki): Nagao of the Owariya, from the series Courtesans Compared to Eight Views (Keisei mitate hakkei)》

Rosetsu创作的日本版画《Illustration of the Great Naval Battle at the Harbor Entrance to Port Arthur in the Russo-Japanese War (Nichiro Ryojunkô daikaisen no zu)》

Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)创作的日本版画《Benkei Moat from Soto-Sakurada to Kôjimachi (Soto-Sakurada Benkeibori Kôjimachi), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)》

Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)创作的日本版画《Benkei Moat from Soto-Sakurada to Kôjimachi (Soto Sakurada Benkeibori Kôjimachi), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)》

Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)创作的日本版画《How to Accept a Cup of Sake (Sakazuki itadaku tei), from the series Instructions in Manners for Modern Women (Tôryû onna shorei shitsukekata)》

Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)创作的日本版画《Madame Tang (Tô fujin), from the series A Child's Mirror of the Twenty-four Paragons of Filial Piety (Nijûshi kô dôji kagami)》

Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)创作的日本版画《View to the North from Asuka Hill (Asukayama kita no chôbô), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)》

Kitagawa Utamaro, 喜多川歌麿 (Kitagawa Utamaro I)创作的日本版画《The Widow of Asahiya (Asahiya goke, in rebus form), from the series Renowned Beauties Likened to the Six Immortal Poets (Kômei bijin rokkasen)》

Kitagawa Utamaro, 喜多川歌麿 (Kitagawa Utamaro I)创作的日本版画《Hanaôgi of the Ôgiya (Ôgiya Hanaôgi, in rebus form), from the series Renowned Beauties Likened to the Six Immortal Poets (Kômei bijin rokkasen)》

Kitagawa Utamaro, 喜多川歌麿 (Kitagawa Utamaro I)创作的日本版画《Hanaôgi of the Ôgiya (Ôgiya Hanaôgi, in rebus form), from the series Renowned Beauties Likened to the Six Immortal Poets (Kômei bijin rokkasen)》

Kitagawa Utamaro, 喜多川歌麿 (Kitagawa Utamaro I)创作的日本版画《A Wife of the Middle Rank (Chûbon no nyôbô), from the series A Guide to Women's Contemporary Styles (Tôsei onna fûzoku tsû)》

Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)创作的日本版画《View to the North from Asuka Hill (Asukayama kita no chôbô), from the series One Hundred Famous Views of Edo (Meisho Edo hyakkei)》

Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige (歌川広重))创作的日本版画《Iga no Tsubone 伊賀局 (Lady Iga) / Ogura nazorae hyakunin isshu 小倉擬百人一首 (One Hundred Poems by One Poet Each, Likened to the Ogura Version)》

Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige (歌川広重))创作的日本版画《Iga no Tsubone 伊賀局 (Lady Iga) / Ogura nazorae hyakunin isshu 小倉擬百人一首 (One Hundred Poems by One Poet Each, Likened to the Ogura Version)》

Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige)创作的日本版画《The Junction with the Road to Kamakura at Central Totsuka, no. 6 from the series Fifty-three Stations of the Tokaido (Hoeido Tokaido)》

Hiroshige Chazen

Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige)创作的日本版画《The Junction of the Road to Kamakura in Central Totsuka, no. 6 from the series Fifty-three Stations of the Tokaido (Hoeido Tokaido)》

Hiroshige Chazen

Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)创作的日本版画《View of Enoshima (First Work on the First Day of the Year of the Goat, 1799), Edo period, dated to 1799 (Kansei 11)》

Hokusai Harvard

Kikugawa Eizan, 菊川英山 (Kikugawa Eizan)创作的日本版画《Seventh Month, from the series Annual Events of the Twelve Months (Fûryû nenjû gyôji), Late Edo period, circa early to mid 19th century》

Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)创作的日本版画《Going to the Senbu Ceremony in Horinouchi (Horinouchi Senbu Môde), from the series Famous Places in the Eastern Capital (Tôto meisho no uchi)》

Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)创作的日本版画《Listening to Crickets at Dôkan Hill (Dôkan-yama mushi-kiki no zu), from the series Famous Places in the Eastern Capital (Tôto meisho)》

Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige)创作的日本版画《The Spirit of Kuzunoha the Fox with a poem by Chunagon Kanesuke , no. 27 from the series Allusions to the One Hundred Poems (Ogura nazorae hyakunin isshu)》

Hiroshige FAMSF

Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige)创作的日本版画《The Madwoman of Mii Temple with a poem by Ki no Tomonori, no. 33 from the series Allusions to the One Hundred Poems (Ogura nazorae hyakunin isshu)》

Hiroshige FAMSF

Utagawa Kunisada, 歌川国貞 (Utagawa Kunisada (歌川国貞 Toyokuni III))创作的日本版画《Sansho-dayu no musume, Osan, Keito no hana (Osan, daughter of Sansho-dayu, Cockscomb) / Tosei mitate sanju-rokkasen 當盛見立三十六花撰 (Contemporary Kabuki Actors Likened to Thirty-Six Flowers (Immortals of Poetry))》

Katsukawa Shunsho, 勝川春章 (Katsukawa Shunsho)创作的日本版画《Narihira Passes Mt. Fuji on His Journey to the East, No. 6 (He from an untitled series of illustrations for chapters in the Tales of Ise (Ise monogatari)》

Eishi创作的日本版画《Kneeling Woman Showing a Miniature Plum Tree to a Child in its Mother's Artms, from the series Children's Pastimes in the Four Seasons (Shiki warabe asobi)》

Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)创作的日本版画《The Syllable To: Onodera Jûnai Hidekazu, from the series Mirror of the True Loyalty of Each of the Faithful Retainers (Seichû gishin meimei kagami)》

Mizuno Toshikata, 水野年方 (Mizuno Toshikata)创作的日本版画《Excursion to the Mountains: Women of the Kyôhô Era [1716-36] (Yûzan, Kyôhô goro fujin), from the series Thirty-six Elegant Selections (Sanjûroku kasen)》

Okumura Masanobu, 奥村政信 (Okumura Masanobu)创作的日本版画《Kyô-machi in the Yoshiwara (Yoshiwara Kyô-machi), No. 9 from an untitled series of a visit to the Yoshiwara (known as Series L)》

Okumura Masanobu MFA

Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)创作的日本版画《The Terrace at Kanagawa (Kanagawa dai), cut from sheet 1 of the series Cutout Pictures of the Road to Ôyama (Ôyama dôchû harimaze zue)》

Tsukioka Yoshitoshi, 月岡芳年 (Tsukioka Yoshitoshi 月岡芳年)创作的日本版画《Bajie (Cho Hakkai) throws a pebble into the heaven-reaching river, from the series The Journey to the West, A Popular Version (Tsūzoku Saiyūki)》

Yoshitoshi Worcester

Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)创作的日本版画《Hanging Abalone Out to Dry, illustration for Abalone (Awabi), from the series "A Matching Game with Genroku-period Poem Shells (Genroku kasen kai awase)"》

Utagawa Kunisada, 歌川国貞 (Utagawa Kunisada (歌川国貞 Toyokuni III))创作的日本版画《Miyamoto Musashi, Kisoyama no yukiwariso (Miyamoto Musashi, Primrose of Kisoyama) / Tosei mitate sanju-rokkasen 當盛見立三十六花撰 (Contemporary Kabuki Actors Likened to Thirty-Six Flowers)》

Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi (歌川国芳))创作的日本版画《Sakana hasamu tei 肴はさむてい (How to Hold Fish with Chopsticks) / Toryu onna shorei shitsuke kata 當流女諸禮躾方 (Modern Fashionable Method of Training Women in Decorum)》

Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige)创作的日本版画《The Junction of the Road to the Ise Shrine at Yokkaichi, no. 44 from the series Fifty-three Stations of the Tokaido (Gyosho Tokaido)》

Hiroshige Chazen

Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)创作的日本版画《The God Daikoku Stopping at a Teahouse at Fukuroi: 1.5 Ri to Mitsuke, no. 29 from a series of Stations of the Tokaido》

Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)创作的日本版画《Women Preparing Tie-dyed Fabric at Narumi: 1 Ri and 26 Cho to Miya, no. 46 from a series of Stations of the Tokaido》

Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)创作的日本版画《Travellers Viewing the Ebisu and Daikoku Rocks at Seki: 1.4 Ri to Sakanoshita, no.53 from a series of Stations of the Tokaido》

Katsushika Hokusai, 葛飾北斎 (Katsushika Hokusai)创作的日本版画《Washing Lake Fish at the Spring at Hashirai near Otsu: 3 Ri to Kyoto, no. 59 from a series of Stations of the Tokaido》

Mizuno Toshikata, 水野年方 (Mizuno Toshikata)创作的日本版画《Excursion to the Mountains: Women of the Kyôhô Era [1716-36] (Yûzan, Kyôhô goro fujin), from the series Thirty-six Elegant Selections (Sanjûroku kasen)》

Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)创作的日本版画《Saint Mayouwa: It's Bad to Be indecisive (Mayou wa son ja), from the series Sixteen Wonderful Considerations of Profit (Myô densu jûroku rikan)》

Hasegawa Sadanobu I, 代長谷川貞信 (Hasegawa Sadanobu I)创作的日本版画《View to the East from Kappa Island (Kappajima yori higashi o nozomu), from the series One Hundred Views of Osaka (Naniwa hyakkei no uchi)》

Kobayashi Kiyochika, 小林清親 (Kobayashi Kiyochika)创作的日本版画《Defeated Russian Soldiers at Jiuliancheng and Russian Soldiers at Tosanjo Fought Among Themselves (Kyûrenjô no haihei Tôsanjô no rohei to dôshi utsu o nasu)》

Kitagawa Utamaro, 喜多川歌麿 (Kitagawa Utamaro I)创作的日本版画《Suited to Crepes Stocked by Echigoya (Echigoya shi-ire no chijimi muki), from the series Summer Outfits: Beauties of Today (Natsu ishô tôsei bijin)》

Kitagawa Utamaro, 喜多川歌麿 (Kitagawa Utamaro I)创作的日本版画《Suited to Patterns Stocked by Izugura (Izugura shi-ire no moyô muki), from the series Summer Outfits: Beauties of Today (Natsu ishô tôsei bijin)》

Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)创作的日本版画《How to Greet a Guest (Kyakujin e aisatsu no shi yô), from the series Instructions in Manners for Modern Women (Tôryû onna shorei shitsukekata)》

Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)创作的日本版画《Wanting to Sober Up Quickly (Hayaku yoi o samashitai)/ Buzen Province (Buzen), from the series Auspicious Desires on Land and Sea (Sankai medetai zue)》

Kitagawa Utamaro, 喜多川歌麿 (Kitagawa Utamaro I)创作的日本版画《Suited to Crepes Stocked by Echigoya (Echigoya shi-ire no chijimi muki), from the series Summer Outfits: Beauties of Today (Natsu ishô tôsei bijin)》

Kitagawa Utamaro, 喜多川歌麿 (Kitagawa Utamaro I)创作的日本版画《Suited to Patterns Stocked by Izugura (Izukura shi-ire no moyô muki), from the series Summer Outfits: Beauties of Today (Natsu ishô tôsei bijin)》

Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige)创作的日本版画《The Junction of the Road to Akiba at Kakegawa, no. 27 from the series Fifty-three Stations of the Tokaido (Marusei or Reisho Tokaido)》

Hiroshige Chazen

Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige)创作的日本版画《The Junction of the Road to the Ise Shrine at Yokkaichi, no. 44 from the series Fifty-three Stations of the Tokaido (Gyosho Tokaido)》

Hiroshige Chazen

Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige)创作的日本版画《The Junction of the Road to the Ise Shrine at Yokkaichi, no. 44 from the series Fifty-three Stations of the Tokaido (Gyosho Tokaido)》

Hiroshige Chazen

Totoya Hokkei, 魚屋北渓 (Totoya Hokkei)创作的日本版画《Awabi Shells and Pipe Representing the Meat-Board Rock (Manaitaiwa), from the series Pilgrimages to Enoshima (Enoshima Kikô), Edo period, circa early 19th century》

Kobayashi Kiyochika, 小林清親 (Kobayashi Kiyochika)创作的日本版画《[Kuropatkin on his knees amid ruined battleships appealing to Saint Andrew, the patron saint of Russia, who is holding a large sword and shield]》

Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)创作的日本版画《How to Greet a Guest (Kyakujin e aisatsu no shi yô), from the series Instructions in Manners for Modern Women (Tôryû onna shorei shitsukekata)》

Kobayashi Kiyochika, 小林清親 (Kobayashi Kiyochika)创作的日本版画《[Two children wearing sailor outfits are playing with a balloon tethered to a Russian battleship, the balloon has burst revealing the head of a Russian admiral or czar and the battleship has been sunk, the Russian child, standing, pointing to the balloon, is crying, the Japanese child, sitting, is joyfully clapping]》

Kawanabe Ky?sai创作的日本版画《A Crow Pretending To Be a Cormorant, Hesitation in a Hateful World, (U no mane suru karasu, nikumare no yo ni habakaru) from an untitled series of comic prints》

Kawanabe Ky?sai FAMSF

Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige)创作的日本版画《Junction of the Road to Ise at Hiei Village near Yokkaicchi (Yokkaichi hieimura oiwake sangudo), no. 44 from the series Fifty-three Stations of the Tokaido (Tokaido gojusantsugi)》

Hiroshige FAMSF

Utagawa Kunisada, 歌川国貞 (Utagawa Kunisada (歌川国貞 Toyokuni III))创作的日本版画《Matsunami Kengyo, jitsuwa Akushichi Byoei, Hikyoku no biwanohana (Matsunami Kengyo, in reality Akushichi Byoei, Flower of Loquat) / Tosei mitate sanju-rokkasen 當盛見立三十六花撰 (Contemporary Kabuki Actors Likened to Thirty-Six Flowers (Immortals of Poetry))》

Utagawa Kunisada, 歌川国貞 (Utagawa Kunisada (歌川国貞 Toyokuni III))创作的日本版画《Ama Shogetsu nochini Oryu no kata, Takano no sazanka (Nun Shogetsu, later Oryu no kata, Sasanqua) / Tosei mitate sanju-rokkasen 當盛見立三十六花撰 (Contemporary Kabuki Actors Likened to Thirty-Six Flowers (Immortals of Poetry))》

Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)创作的日本版画《(Shinshû Kawanakajima Takeda no shôhei Saijôzan o hikikaeshi Ame no Miya no watari o koe Echigo-gata no Amakasu Ômi no Kami to tataku zu)》

Okumura Masanobu, 奥村政信 (Okumura Masanobu)创作的日本版画《The Coming of Age of a Kamuro (Kaburo genpuku no tei), from an untitled series of a visit to the Yoshiwara (known as Series L)》

Okumura Masanobu MFA

Yonehide创作的日本版画《Japanese Forces Occupy Yizhou; Russian Soldiers Flee to the North Bank of the Yalu River (Nihon gun Gishû senryô, Rohei Ôryokkô hokugan e tôsô su)》

Watanabe Nobukazu, 渡辺延一 (Watanabe Nobukazu)创作的日本版画《The Phoenix Carriage Leaving Nishi-no-maru of the Imperial Palace to Attend a Military Review at Aoyama (Nishinomaru kokyo yori Aoyama... miyuki no zu)》

Utagawa Kunisada, 歌川国貞 (Utagawa Kunisada I (Toyokuni III))创作的日本版画《A Good Day to Trim One's Nails (Tsume tori yoshi), from the series A Floral Calendar: Women on Lucky Days (Hana goyomi kichihi sugata)》

Utagawa Kunisada, 歌川国貞 (Utagawa Kunisada I (Toyokuni III))创作的日本版画《A Good Day to Set Out on a Journey (Tabidachi yoshi), from the series A Floral Calendar: Women on Lucky Days (Hana goyomi kichihi sugata)》

Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)创作的日本版画《Night Rain, Clearing Weather of the Lattice (Magaki no seiran), from the series Eight Views of Figures Inside and Outside (Soto to uchi sugata hakkei)》

Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)创作的日本版画《Abalone Fishing in Kazusa Province (Kazusa awabitori) / Wanting to Eavesdrop (Mimi ga karitai), from the series Auspicious Desires on Land and Sea (Sankai medetai zue)》

Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)创作的日本版画《Wanting to Be Independent (Mimama ni naritai)/ Cloth from Echigo Province (Echigo nuno), from the series Auspicious Desires on Land and Sea (Sankai medetai zue)》

Kitagawa Utamaro, 喜多川歌麿 (Kitagawa Utamaro I)创作的日本版画《Ebisu Preparing to Carve a Tai While a Young Woman Gives Him Sake, from an untitled series of the Seven Gods of Good Fortune (Shichifukujin)》

Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige I)创作的日本版画《Snow Scene at the Willow Tree of Farewells to Guests in the New Yoshiwara (Shin Yoshiwara mikaeri yanagi sekkei), cut from an unidentified harimaze sheet》

Isoda Koryusai, 磯田湖龍齋 (Isoda Koryusai)创作的日本版画《Prosperous Flowers of the Elegant Twelve Seasons: young woman watching a man in a fox-mask making love to his partner under a cherry tree》

Koryusai Scholten

Utagawa Kunisada, 歌川国貞 (Utagawa Kunisada (歌川国貞 Toyokuni III))创作的日本版画《Mashiba Hisayoshi, Gosan no kiri (Mashiba Hisayoshi, Paulownia) / Tosei mitate sanju-rokkasen 當盛見立三十六花撰 (Contemporary Kabuki Actors Likened to Thirty-Six Flowers (Immortals of Poetry))》

Kawaguchiya Uhei, 川口屋卯兵衛 (Kawaguchiya Uhei (川口屋卯兵衛))创作的日本版画《Sakazuki itadaku tei さけずきいただくてい (How To Accept A Cup of Sake) / Toryu onna shorei shitsuke kata 當流女諸禮躾方 (Modern Fashionable Method of Training Women in Decorum)》

Utagawa Hiroshige, 歌川広重 (Utagawa Hiroshige)创作的日本版画《Watanabe no Tsuna Selling Tickets to a Sideshow, and Musashibo Benkei Selling Used Weapons and Priest's Gear, from the series Comic Warriors for Children》

Hiroshige Chazen

Totoya Hokkei, 魚屋北渓 (Totoya Hokkei)创作的日本版画《WOMAN WITH SAMZIN IN RED AND WHITE KIMONO/ It is Favorable to ___ (___), from the Series for the Hanazono Group (Hanazono bantsuzuki), Edo period, circa 1824》

Kubo Shunman, 窪俊満 (Kubo Shunman)创作的日本版画《Court Lady Serving Sake to Otomo no Yakamochi (717?-785), with poems by Bunkeisha Shiomichi, Bungaen Yukimaru and Bunbunsha, Edo period, circa early 19th century》

Shunman Harvard

Utagawa Kuniteru, 歌川国輝 (Utagawa Kuniteru II (Kunitsuna II))创作的日本版画《The Proccesion of Lord Minamoto Yoritomo on the Way to the Hunting Grounds at Mount Funi (Minamoto Yoritomo kô Fuji no kariba gyôretsu no zu)》

Utagawa Kuniyasu, 歌川国安 (Utagawa Kuniyasu)创作的日本版画《Eight Views of Japan, Mount Tatsuta (Yamato hakkei, Tatsuyama): Egawa of the Maru-Ebiya, from the series Courtesans Compared to Eight Views (Keisei mitate hakkei)》

Utagawa Kuniyoshi, 歌川国芳 (Utagawa Kuniyoshi)创作的日本版画《(Shinshû Kawanakajima Takeda no shôhei Saijôzan o hikikaeshi Ame no Miya no watari o koe Echigo-gata no Amakasu Ômi no Kami to tataku zu)》

Toyohara Kunichika, 豊原国周 (Toyohara Kunichika)创作的日本版画《Actors Nakamura Fukusuke, Iwai Shijaku, Sawamura Tanosuke, Ichikawa Kuzô, Ichimura Kakitsu, Kawarazaki Gonjûrô, Bandô Hikosaburô, Ichikawa Sadanji, Sawamura Tosshô, and Nakamura Shikan (R to L)》